Advertisement
Canada markets closed
  • S&P/TSX

    21,947.41
    +124.19 (+0.57%)
     
  • S&P 500

    5,127.79
    +63.59 (+1.26%)
     
  • DOW

    38,675.68
    +450.02 (+1.18%)
     
  • CAD/USD

    0.7308
    -0.0005 (-0.07%)
     
  • CRUDE OIL

    77.99
    -0.96 (-1.22%)
     
  • Bitcoin CAD

    85,862.88
    +4,100.82 (+5.02%)
     
  • CMC Crypto 200

    1,359.39
    +82.41 (+6.45%)
     
  • GOLD FUTURES

    2,310.10
    +0.50 (+0.02%)
     
  • RUSSELL 2000

    2,035.72
    +19.61 (+0.97%)
     
  • 10-Yr Bond

    4.5000
    -0.0710 (-1.55%)
     
  • NASDAQ

    16,156.33
    +315.37 (+1.99%)
     
  • VOLATILITY

    13.49
    -1.19 (-8.11%)
     
  • FTSE

    8,213.49
    +41.34 (+0.51%)
     
  • NIKKEI 225

    38,236.07
    -37.98 (-0.10%)
     
  • CAD/EUR

    0.6787
    -0.0030 (-0.44%)
     

Yola: Stand for Myself review – retro country soul with bite

By rights, Yola should be trumpeted as one of the UK’s hottest exports. Her 2019 debut Walk Through Fire was nominated for four Grammys; she plays Sister Rosetta Tharpe in Baz Luhrmann’s forthcoming Elvis biopic. But this Brighton singer, born Yolanda Quartey, has gone native in Nashville, pairing her elastic, retro voice with a vintage, soulful roll of the kind favoured by Black Keys’ Dan Auerbach, who returns as producer here.

Stand for Myself remains attuned to these country-soul stylings, but the full ingredients list is long: old-timey doo-wop on Great Divide, Brandi Carlile backing vocals, plus subtle British inflections – really, Yola and Michael Kiwanuka need to talk. Laid atop these comforting sounds are bang up-to-date themes. Diamond Studded Shoes bristles at economic inequity. “Isolated, we hold in our fears,” she sings on the languorous Barely Alive.