At a “Metaverse Cocktail Hour for Fashionistxs,” hosted by Cash Labs, it was abundantly clear who had MANA and who didn’t. My avatar was dressed plainly, with a default hairstyle and a default black turtleneck. Users with fancier gear – massive sets of wings, bear costumes, swarms of digital butterflies – stole the spotlight.

Virtual trinkets have always been a staple of online video games, but Decentraland isn’t exactly a game. It may take cues from games, but there’s not a lot you can actually do in this world beyond meeting up with people and typing short messages in a chat window.

One thing you can do is look at videos (usually advertisements) on virtual screens, though the experience of watching ads in the metaverse still feels clunky. The other major activities of Metaverse Fashion Week could be loosely described as “taking in the surroundings” in different contexts.

In this world, communication is limited. Only a few people seemed to be making use of the voice chat mechanism; most were content to jump up and down, wordlessly, in place.

A company called Auroborous capped off the weekend with a prepared DJ set from the musician Grimes. As music issued from a giant dancing creature meant to represent the producer herself, a host of smaller avatars – the onlookers – kept their eyes pinned to the stage.

See also: Metaverse Fashion Week: 70 Brands Do Their Best

The performance, though it wasn’t exactly “live,” built on an established trend. In the early days of the coronavirus pandemic, when all the real-world concerts had been canceled, Travis Scott hosted an online-only concert within the video game Fortnite; Charli XCX and 100 Gecs were among the performers at a similar event in Minecraft; and Porter Robinson’s Secret Sky Festival attempted a more ambitious version of the same, with contributions from Doss and A.G. Cook.

Much of the novelty of these virtual events has to do with the inherent limitations of the online experience. In the first moments of the pandemic, we replicated physical experiences online as a kind of Band-Aid. Metaverse concerts weren’t a replacement for the real thing so much as a collective acknowledgement of a restricted situation. Part of the fun was in experiencing those glitchy, tactile environments together.

Metaverse Fashion Week, crucially, was lacking that sort of pull. The lineup promised multiple days’ worth of events – but what is it about this world that might compel someone to spend their entire weekend on it?

There’s something to be said for the accessibility aspect of Metaverse Fashion Week – you don’t have to be in Milan or New York to attend one of these events. In their current state, though, it’s hard to imagine fashion enthusiasts would want to.